Today I made a reuseable cutlery pack to keep in my purse/ bag for when I eat at
fast-food restaurants. There are a lot of designs for these packs out there,
but I liked the ones that left room for reuseable or recyclable paper straws
and a fabric napkin, so I adapted mine to fit those items.
For durability I used a double layer of fabric, sewed the edges together,
turned it, then sewed the open end last. To make the pocket, I turned up one
end and sewed individual slots to fit each piece of cutlery and a napkin. I
intend to roll this pack up and secure it with a tie, but I need to get some
ribbon or cord for that. Sewing in snaps or a button would also work well to
close the pack.
Here I’m reusing compostable cutlery that I picked up at Noodle Box during
my last trip. That will suffice until I can get my hands on a more permanent,
reusable solution like wood or a recyclable plastic.
©2018 Jennifer Georgeadis.
March 9, 2018
Sketchbook
I’m currently working on a few projects right now. For the past week I’ve been
sketching out plans for a third negative painting based on a digital painting
that I did late last year. St. Patrick’s Day cards are made and in the mail,
and I’ve also been working out a design for a reuseable cutlery/ napkin/ drinking
straw roll that I can take with me when I eat at fast food restaurants.
Today’s photo is a little weird, I know. One night this week when we’d finished
our steelhead trout dinner, I was marvelling at how pretty the fish skin looked,
so I cut it into a dress pattern, complete with accessories, then sent a photo
of it to my sister. She, fresh from a beach vacation and feeling fiesty, has
dared me to blog it, even though I think it’s a bit embarrassing. So, here’s
the Fish Skin Dress in all its irridescent glory. (Can’t say my work isn’t varied!):
©2018 Jennifer Georgeadis.
March 6, 2018
Sketchbook
It’s been a while since I practiced some fast sketching. My goal with the animal
sketches at the top was to draw them as quickly as possible while keeping them
identifiable. The sketches at the bottom were also quick, about two minutes each,
but I let myself spend a bit more time on detail:
©2018 Jennifer Georgeadis. 19.5cm x 28cm, graphite on sketchbook paper
March 2, 2018
Sketchbook
Here’s another possibility for a wood-carve project.
In this piece I focused on creating a good balance between shape, texture and tone:
©2018 Jennifer Georgeadis. 15.5cm x 16cm, pen and graphite on sketchbook paper
February 27, 2018
Sketchbook
My next step in the painting was to give a few of the shapes some visual texture,
without necessarily making them any darker or lighter than they already were.
I echoed some of the patterns from the background in leaf shapes throughout the
painting, which helped to integrate them into the composition a bit better. Next,
I did a bit more work defining some of the shapes in the background.
At this point I’m happy with the painting. The composition feels stronger now,
but before I declare it finished I want to look at it in greyscale to make sure
it has a good balance of darks and lights.
This is the tricky part of the process, where it’s easy to overwork a piece that
may already be finished!
©2018 Jennifer Georgeadis. 46cm x 36cm, acrylic on panel
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